She’s Getting More Like the White Folks

[WARNING: This song contains antiquated racial stereotypes. It is presented here for historical and educational purposes only.]

A man is concerned about his sweetheart, 1901
words and music by Bert Williams & George Walker

Written by two black songwriters for their comedy shows. This kind of genteel caricature was a protest against the violent songs like The Bully Song (1896). It helped to elevate African-American music leading up to the acceptance of jazz. The word I mispronounced should sound like “apparently”.


The sheet music:


Lyrics

  1. I ain’t never seen such a monstrous change
    Since the day that I was born
    As bounced up here in the las’ four weeks
    ‘Tween me an’ Miss Sally Horn
    She par’ntly had a normal Constitution
    With good common sense to spare
    But since she’s been following the white folks
    They’ve put Miss Sally in the air
    My troubles they just started
    Since at the big hotel she’s stayed
    A lady sent for her up there
    To come and be the maid
    Where we used to go to the restaurant
    Plain pork chops they would do
    But now she wants a porter house steak
    With a bottle of champagne, too

Chorus
She’s getting mo’ like the white folks every day
Tryin’ to do jus’ like ’em every way
Once she was stuck on calico patterns
Now all she wants is silks and satins
She’s getting mo’ like the white folks every day

  1. I knew at her home that she only had
    Just one plain kind of meat
    Now she’s got to have two diff’rent kinds
    Or else she cannot eat
    I know when chicken was a luxury
    She’d eat ’em boiled or fried
    Now she must have some humming birds hearts
    Or else she ain’t satisfied
    She’s got herself some irons
    She’s been working on her hair
    She’s got herself some kalsomine
    To help to make her fair
    Now she can sing “The Swanee River”
    Like it never was sung before
    But since she’s worked in that hotel
    She warbles “Il Trovatore”

Sung here by Fred Feild: