. . . The Lover’s Quarrel, 1890.
words and music by Oswald Stoll
The sheet music:
Accompaniment by James Pitt-Payne:
Lyrics
- Mary and John down in a distant old village
Fell deep in love and were engaged to be wed
But one fine day up went the nose of sweet Mary
At what her John of some other girl had said
John simply smiled he was much given to teasing
And some old song softly he started to sing
Mary with rage every moment grew warmer
And at his feet threw their engagement ring
Chorus
“I won’t be your wife,” said Mary
“Thank goodness for that,” said John
“I hate such a brute,” said Mary
“But other girls don’t,” said John
“I’m going back to the dairy”
“Well, that’s just as well,” said he
“I hope you’ll be at the wedding
Of Molly Malone and me”
- Mary turned round just went a step or two from him
Then at her John one farewell sly glance she took
Thinking perhaps he was already repenting
But all he said was “Why don’t you take your hook?”
Out came his pipe, soon clouds of smoke he was puffing
Into the air stretched out full length on the green
Mary stood by somehow her heart was nigh breaking
Had John become tired of his village queen?
Chorus
“Well, am I to go?” said Mary
“I don’t care a rap,” said John
“To spite you I won’t,” said Mary
“Well, maybe yer won’t,” said John
“Oh, why are you so contrary
I’ll drown myself, sir” said she
Said John, “On your way, dear Mary
Send Molly Malone to me”
- Tears filled her eyes as with her apron she covered
Her pretty face, heaving a heartrending sigh
All now seems o’er, what was the use of her staying
Turning to John she then gently said “Goodbye”
Up like a shot jumped the young fellow all smiling
Touched to the heart by such a tender farewell
Kissed all the tears from the sweet face of his Mary
Told her the tales fond lovers always tell
Chorus
Then Johnny canudled Mary
And Mary canudled John
He vowed that fairer fairy
He never had gazed upon
And while little Mary’s laughing
Her head resting on his breast
With that I’ll conclude the story
No doubt you can guess the rest
Sung here by Fred Feild: